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Seminar 1: Interpretation and Indecision: Early Modern Drama and Cultural Memory

Seminar 2: Trajectories of the Sonnet in Sidney and Shakespeare

Seminar 3: Love, Commerce and Conflict: Marlowe’s Jew of Malta, Shakespeare’s Merchant of Venice and poems by Shakespeare and Donne

Seminar 4: Early Modern Material Cultures

Seminar 5: Thomas More’s Utopia (1516) as the Prototype of a Transnational Literary Genre

Seminar 6: “Remember Me”: Hamlet, Richard II and Sonnets

Seminar 7: Theatrum Mundi and the Dramatic Quality of John Donne’s Poetry

Seminar 8: The Early Modern Reception of Shakespeare in Print and the Rise of Shakespearean Cultural Capital

Seminar 9: Between Restricted and General Economies: Hamlet and Jonson’s Bartholomew Fair

Seminar 10: Utopia and Society: Strategies for Change in a Context of Crisis

Seminar 11: Shakespeare Staged behind Barbed Wire: Towards an Alternative Reading of the Sonnets, Hamlet, and Richard II

Seminar 12: States of Exception on the Early Modern Stage

Seminar 13: “When All Is Said And Donne”: The Sonnets of Shakespeare, Spenser and Donne as Works of Love, Conflict and Memory

Seminar 14: Shylock’s Afterlives

Seminar 15: Renaissance Tragedy as a Mirror to Disintegration of Social and Moral Values

Seminar 16: Hamlet on 21st Century European Stages